GLOSSARY

 

 

 Definitions from

The Literacy Dictionary: The Vocabulary

of Reading and Writing, Theodore L. Harris,

Richard E. Hodges, editors; International

Reading Association, 1995.               

  

Definitions of terms contained in the glossary vary from expert to expert.  For the purposes of this document, the committee has agreed to the following definitions.

     

analogy: a comparison of similar objects   

 

analyze:  identifying the parts of a whole and their relationships to one another

 

anticipation guide:      a study guide or pre-assessment given to students to set the tone before a topic, concept, or lesson is taught

 

APA:  American Psychological Association

 

archetypal criticism:  the study of apparently perennial images, themes, symbols, stories, and myths in literature, including narratives that unite the seasons with literary genresÖ

 

audience:  the intended target group of a messageÖ

 

authentic:  representative of the real world Ö

 

author intent:  the motive or reason for which an author writes, as to entertain, inform or persuade Ö

 

cadence:  rhythmic sequence or flow of sounds in language

 

causal chain:       the premise that the structure of knowledge, as in a narrative, may be revealed by an analysis for the organization of the chain of events or states, see also mapping, causal chain Ö

 

cause and effect:  a stated or implied association between an outcome and the conditions which brought it about, often an organizing principle in narrative and expository text, as TV violence causes crime Ö

 

character mapping:  See mapping, character

 

classic:  a literary work regarded by successive generations as part of the core experience of a culture, a society, or a particular time period; a work that is read by successive generations of readers

 

classical literature:  literary works which successive generations of readers have regarded as essential for a particular culture’s understanding of its tradition; literary works which have become standard reading for a particular group of people or period of time

   

classification:    to place an idea into a general category

 

cluster maps:  see mapping, cluster

 

compare and contrast:  a literary technique of placing together like characters, situations, concepts, or ideas to show common or contrasting features Ö

 

comprehension strategies:      process in which the reader constructs meaning interacting with text through a combination of prior knowledge, information available in text, the stance taken in relationship to the text, and social interactions and communications Ö

 

concept mapping:  See mapping, concept

 

context(s):  the sounds, words or phrases adjacent to a spoken or written language unit; the social or cultural situation in which a spoken or written message occurs Ö

 

contextual clues:  information from the immediate context that helps identify a word or groups of words by words, phrases, sentences, illustrations, syntax, typography, etc. Ö

 

conventions:  an accepted practice in a spoken or written language.  Conventions include punctuation, grammar, and spelling Ö

 

criteria for evaluating literature:  a standard of judgment used in such cognitive tasks as Literary criticism and logical proof Ö

 

definition:  the process of assigning an idea to a general category and distinguishing that idea from other similar ideas in that category

 

description:  a type of writing which gives a verbal picture of character and event, including the setting in which they occur Ö

 

descriptive:  See description

 

dialect:  a social or regional variety of a particular language with phonological, grammatical, and lexical patterns that distinguish it from other varieties Ö

 

effective writing:  satisfies author’s purpose and the needs of the audience

 

 elements of structure:  those conventions which authors and audiences in specific literary traditions or time periods expect in the organization of particular literary genre (such as poetry, short story, novel, drama) or text types

 

expository:  See narrative and expository writing and reading

 

exposition:  See narrative and expository writing and reading 

 

external sources:  a strategy which includes using sources outside the passage where the word is found such as or including dictionary, glossary, peers, and/or teacher

 

fact and opinion:  (facts) statements of information that can be verified as true, as opposed to (opinion), statements of belief, judgments, or points of view that are based on personal preferences or biases

 

fluency:  1. the clear, easy, written or spoken expression of ideas  2. freedom from word-identification problems that might hinder comprehension in silent reading or the express of ideas in oral reading; automaticity  3.  The ability to produce words or larger language units in a limited time interval.  Note:  This type of fluency is often tested in a comprehensive reading diagnosis.  4.  The ability to execute motor movements smoothly, easily, and readily Ö

 

fluent reader:    1.  A reader whose performance exceeds normal expectation with respect to age and ability; independent reader   2. Any person who reads smoothly, without hesitation and with comprehension

 

fluent writer:   a writer skilled in language and expert in topic

 

focused:  writing which is unified around one central idea

 

formalism:  the study of the inner shape and nature of a work of art without regard to outer meaning Ö

 

genre:  a category used to classify literary works, usually by form, technique, or content Ö

 

graphic features:  text features or designs to assist the reader’s understanding of the text.  Examples of features include maps, charts, graphs, subheadings, and text font

 

graphic organizers:  a visual arrangement of information such an Venn diagrams, causal chain maps, herringbone maps, concept maps, and webbing

 

high frequency words:  words that appear many more times than most other words in spoken or written language

     

homograph: words that look the same but have different meanings

 

homophone:     a word with different origin and meaning but the same pronunciation as another word, whether or not spelled alike, such as hare and hair; two or more graphemes that represent the same sound as /k/ spelled c in candy Ö

 

idiom: words used in a special way that may be different from their literal meaning

 

informational:  a nonfiction of facts and concepts about a subject or subjects Ö

 

insightful writing: writing which reflects originality, perceptive, or innovative thinking       

 

KWL:  a reading comprehension strategy which prompts readers to identify what they know and what they want to know before they read a selected text, and what they have learned after they have read that text

 

literary concepts:  conventions used by authors to construct works of literature; include plot, theme, character types, setting, and stylistic devices

 

literary criticism:  the analysis and judgment of works of literature; the body of principles by which the work of writers is judged; may involve specific consideration of moral values, historical accuracy, literary form, and type

 

main idea/concept:  1.  the gist of a passage; central thought  2. the chief topic of a passage expressed or implied in a word or phrase   3.  the topic sentence of a paragraph Ö

 

mapping:  instructional activities, particularly graphic ones, that are designed to show the relationships among ideas or topics in text or to plan for writing Ö

 

mapping, causal chain:  the components of a causal chain organizer include characters, initiating events, character goals, attempts made by characters, the outcomes of the attempts, and the resolution of the story

 

mapping, character:  a graphic display of character traits, may include comparison to similar characters within the same text or similar texts

 

mapping, cluster:  concept cluster; a group of terms organized to show their relationship graphically to a key concept, as in a semantic verb Ö

 

mapping, concept:  instructional activities, particularly graphic ones, that are designed to show the relationships among ideas of topics in text

 

mapping, goal structure:  a graphic display of characters with action in the story, the character’s goal, attempts, and outcomes in sequential order of the story

 

            mapping, semantic:  a graphic display of a cluster of words that are meaningful related Ö

 

mapping, story:  a time line showing the ordered sequence of events in a text; includes components such as characters, setting , plot, and resolution Ö

 

MLA:  The Modern Language Association

 

metaphors: a figure of speech that compares two different things without using the word like or as

 

modes of writing:  types of writing to include narrative, expository, persuasive, descriptive  

 

mood:  the emotional state of mind expressed by an author or artist in his or her work, see also tone

 

morphemic analysis:   a vocabulary strategy which directs the reader’s attention to the smallest meaning structures within a word; includes prefixes, suffixes, and root words

 

narrative:  see narrative and expository writing and reading

 

narrative and expository reading and writing:  Narrative reading and writing may be fiction or nonfiction and may seek to entertain or do more.  The key is that they are both story with the usual ingredients of a story such as characters and a setting.  Short stories or novels are the most common fictional narratives.  Examples of a nonfictional narrative are biographies, personal narratives, and memoirs.  For the purpose of the Kansas Reading Assessment, narratives will be selected from short pieces of fiction with familiar topics such as family, friends, relationships, and conflicts.

 

Exposition for our purposes seeks to explain or inform and may do so through describing, comparing, contrasting, showing causes and effects, and presenting problems and solutions.  To complicate matters, the writer may use a narrative format while presenting information and may intend to persuade or to discover as well as to explain and inform.

 

Much of what we write and read is not clearly narrative or expository, but is a combination of structures and purposes.  For example, we write the cautionary tale to persuade and to explain.  We also seek to explain and persuade by use of an anecdote.  Definitions can be useful to us to think of what we want students to know and be able to do.  Attempting to define too closely can cause unnecessary confusion.

 

onset:  the part of the syllable that precedes the vowel

 

outlining:  a simplified, abbreviated expression of the main ideas and supporting ideas of a text, arranged in a graphic format which gives precedence to the most important ideas

 

past experience:  memories of interactions with particular times, places, activities, or people; these memories provide a personal reference point and a concrete image readers associate with their reading

  

personal expression:  writing from the heart; writing which reflects the care the author has about the subject

 

persuasion:  a type of writing intended to convince the reader to adopt a particular opinion or to perform a certain action,  effective persuasion appeals to both the intellect and the emotions  (McDougal Littell, Literature & Language 12, p. 949.)

 

persuasive:  See persuasion

 

phonogram:  in word recognition, a graphic sequence comprised of a vowel grapheme and an ending consonant grapheme, as –ed in red, fed, or –ake in bake, cake, lake Ö

 

power:  writing which reflects the strength of the author’s knowledge or experience of the subject; the author’s ability to establish the credibility of the text in the reader’s eyes; conviction

 

prior knowledge:  a reader’s knowledge of text type format as well as knowledge of the topic of a particular reading selection

 

problem and solution:  a text structure or particular method of developing an idea in which the author expressed a difficulty or challenge, then offers a resolution to that difficulty or challenge

 

proficiency:  accomplished; effective application of reading or writing strategies to the creation or construction of a text

 

QAR:  Question Answer Relationship.  A questioning strategy, which assists the reader’s comprehension skills by focusing on four types of questions.  The four types are:  Right There, Think and Search, Author and You, and On Your Own.  (Taffy Raphael, 1982)

 

reader response:  a theory of reading which maintains that reader and text must interact (Rosenblatt, 1938)

 

retelling:  a method of assessing comprehension of a reader.  A reader will recall any facts, main ideas, details, or information from the selection.  The reader may complete the retelling orally or in writing. Ö

 

rimes:  a vowel and any following consonants of a syllable, as /ook in book or brook, /ik/ in strike, and /a/ in play Ö

 

scanning:  glancing through reading material to locate a particular piece of information  (How to Improve Your Study Skills, Coman and Heavers, p. 94.)

 

sentence fluency:  sentences that fit well with the other sentences in the text so that the sound is smooth.  One often hears references to sentences that “flow”

 

simile: a figure of speech that compares two things using the word like or as

 

six-trait analytic model: a rubric tool for assessing writing by selecting the descriptors which most accurately describe the writing in each of six traits:  ideas/content, organization, voice, word choice, sentence fluency, and conventions

 

skilled:  accomplished; effective application of reading or writing strategies to the creation or construction of a text

 

skimming:  forming an overview of a text by reading the first few paragraphs and noting chapter headings, words in bold fact type, or graphics and pictures  (How to Improve Your Study Skills, Coman and Heavers, p. 94)

 

SQ3R:  a series of steps to be used in reading a textbook for study purposes  Note:  The term derives from survey the assignment to note the points emphasized; pose a question initially on the first section (and later on successive sections); read to answer the question; recite the answer to the question; and after several questions and answers, review the material read.  This study method was first introduced by Robinson in Effective Study (1946), but it has since been adapted by many other writers and programs.Ö

 

story mapping:  See mapping, story

 

technical reading:  reading text in order to complete a specific technical task,  E.g. reading an auto mechanic manual or reading a map of the United States

 

technical writing:  communication written for and about business and industry, focusing on products and services – how to manufacture them, market them, manage them, deliver them, and use them  (Writing That Works, German, p. 1.)

 

text structure:  the various patterns of ideas that are embedded in the organization of text  Note:  Common patterns of text structure are cause-effect, comparison-contrast, problem-solution, description, and sequence.

 

timelines:  a linear, usually graphic organization in which events are presented in the temporal order of their occurrence

 

tone:  1) a particular style in writing or speaking.  Note:  In literary analysis, there is a difference of opinion about the distinction between tone and mood.  The terms are sometimes used synonymously, but certain authorities use tone to apply to the author’s attitude reflected in the style of the written word, reserving mood to refer to the effect created by the author’s use of various literary devices.  2) the writer’s attitude (humorous, admiring, sad, angry, bitter) toward the subject, inferred by the reader from the author’s word choice. (McDougal Littell Literature & Language 12, p. 952.)  See also mood.

 

 Venn diagrams:  a graphic organizer displayed as two overlapping circles that show those features either unique or common to two or more conceptsÖ

 

vocabulary strategies:   various techniques to study the structure of words and their use in context; includes a study of roots, prefixes and suffixes, use of context clues, semantic mapping, denotation, connotation, and semantic feature analysis

 

voice:   similar to “tone” in literature.  Commonly, writers think of this as both the sound and the stance the writer assumes

 

webbing:  in planning writing, the use of diagrams or maps to show the relationship among the ideas to be included, see also mappingÖ

 

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